Multiple Sclerosis And Irish Descent

Grazie!

Dear artists, a few lines to say thank you. Meanwhile

for your time, not at all obvious, to attend an exhibition of contemporary art without subsidies or public or private.

Thanks for your courage to expose yourself in this initiative with us, enthusiastic amateurs, the design curator for an exhibition project is certainly not easy, whether the complexity of the issue, both for the difficulties in the use of space at our disposal .

Thanks also to those of you who were able to be present, for helping to fit out the material, that is not obvious, and without which we could never finish in time for the opening of the exhibition.

But above all thanks to the quality of your art projects with which we could realize our / your "translations."

The success of this experience, we can deduce the number of visitors and their demonstrations of appreciation, then we owe it to you and the quality of your work, but also to your effective collaboration to the success of the project.

Again many thanks,

codec (Caramel, Manuela, Massimo)

But also to all those who have helped, and do not materially:

and Gabriel Alberto Del apple, directors of the Tuscan School, who hosted us;

Asli Bicakci for contacts with Turkey and the constant presence;

Francesca Bertocci, for the beautiful mirror; Cristina
From Rio to the "distributor of ideas";

Fabrizio Masini, for "electrical issues"

Louis in May, Simon Judge, Solal Abeles, Cornelius and Cosimo, for the big hand in the "assembly & disassembly" ;

Ewa Dziejuch, Carla Konsten, Maria Jose Moraz, Solal Abeles, Izumi Hashimoto, Melina Kistani, Gerda Helena Schwenger for translations, and even students

and foreign friends who have come with their voices;

Thanks to you too!

Live Women Nipple Piercing

Ximena e Aleksandra per PF#6.12

Manual for The talian in Italy, 2010, Video

(made by Ximena Zuniga and Aleksandra Zurczak)

Vol.1: How to approach a stranger

This video want provide a simple guide to the Italians to approach a stranger on the street if necessary, on the premise that identify the source of the alien is necessary to find the right way to ask simple questions - such as driving directions, time, or even taking a picture - and get some useful answers.

- Part I: Identify the possible origin of the foreigner.

- Part II: How to make the application according to the country of origin to obtain dell'interocutore answers.

" As foreigners living in Italy, we realize, after a while, 'to what is the image that Italians have of us. In an ironic way, we wanted to make fun of stereotypes with which we classified, representing them in a clear way, and because behind every stereotype there is some 'truth and is to show that, among strangers, while trying to mix the culture that our host, remains in each of us a cultural identity that we can not ignore, even after years of living away from their roots . (Ximena Zuniga and Aleksandra Zurczak)

How Long Is Trimethoprim Effective

Ximena Zuniga per PF#6.12

Ideas to drink, 2010 Installation

If there is an international with done, this is the international consumption. In an age of unbridled globalization, Americanization of the world, the market is the place where all people, as consumers, we are "equal", we all speak the same language.
From this modello di democratizzazione illusoria, da questa omogeneizzazione delle differenze nel segno del commercio, in virtù dei quali tutto si può comprare, la Zuniga gioca con i simboli del consumo mettendo in vendita, attraverso un distributore automatico, anche le idee. Per pochi centesimi è possibile acquistare qualsiasi prodotto e “dare da bere” qualsiasi cosa.

Home is where you make it, 2008 , Legno e pvc

What defines our identity? The place where we come from or what we feel most at home? This is the question that arises Home is Where You Make It , a model built on a common household carpet, an object that normally identifies the threshold that separates inside from outside, the gap between the ' unknown and knowledge, between the undifferentiated and what is ours, the public and private sectors. On the doorstep is highlighted the problem of living. Paradoxically, this threshold becomes Zuniga for the support of a vision of eradication: a portrait of suburban dystopia par excellence, the American. A any district, completely anonymous, with fields and houses, where you end up building an identity-territorial, unmoored from any possible genius loci.

Family Portrait, 2007 , PVC, photos and various objects

chunk of memory to compose a family portrait moved and iridescent. Once again a reflection on identity. Individual or rather multiple, separate, or organizations in the design of a complex family constellation?