http://www.youtube.com/watch?v=swDjM2UTAwA&feature=player_embedded
Wednesday, October 21, 2009
Friday, October 16, 2009
Does Rogaine Remove Hair Color?
moments of being
In the every day is not much more than being . Yesterday, for example, Tuesday, April 18, it just so happens it was a good day, as above average to. It was sunny, I enjoyed writing these first pages, I took off the weight of the biography Roger, I took a walk ... these are isolated moments to be had, however, when not enclosed in be much more numerous. I've already forgotten what Leonard spoke at lunch, and at tea and although yesterday was a good day, well that was wrapped in a sort of wadding contorni.È not always so. Much of the day we live consciamente.Si not walk, eat, see things, it provides to our duties .(...) Perhaps then, is the ability of shock that makes me a writer. I venture the explanation that any shock in my case, immediately following the desire to explain it. I feel the blow, but is no longer thought as a child, a blow from an enemy hidden behind the cotton wool of daily life is or will become the revelation of another order, is a sign of something real behind appearances, and that I am the real I express in words, gives it unity, and this unit means it has lost the power to hurt me, me a great joy, perhaps because doing so would keep the pain away, pick up the pieces, this is perhaps the most intense pleasure I know ... Hence, it was, I could say, a philosophy, or at least the idea that I have always had, and that cotton wool is hidden behind a picture, the whole world is a work of art that we are part of that work of art. Hamlet or a Beethoven quartet is the truth about this huge mass that we call world. There is no Shakespeare, there is no Beethoven, certainly, and definitely there is no God, we are the words, we are the music, we are the reality " 
In the every day is not much more than being . Yesterday, for example, Tuesday, April 18, it just so happens it was a good day, as above average to
Thursday, October 15, 2009
Pretty Woman Brown Polka Dot
Gardens Manhattan
Gardens in Manhattan. Stories Guerrilla gardens
Michela Pasquali With this book takes the reader on a unique journey through the many gardens created in the abandoned areas of Loisaida, a small neighborhood of Manhattan, who was born at the end of the nineteenth century to accommodate the large waves of immigrants. book recounts the origins, development, evolution in the course of more than thirty years now. Created at the initiative the local community since the seventies, is one of the most interesting cases of a unique and precious heritage of green space hidden. A set of cultures, languages, religions and customs, which often overlap and are found in the names chosen for each of the gardens: El Sol Brillante, Brisas del Caribe, Miracle Garden, Jardin de la Esperanza, Creative Little Garden. "The process of creation that gave birth to each of these gardens is not an experience in itself and is not, in any case, the subject of trade, is dealt with among the many expressions of everyday life, such as how to dress, speak to cook. In the gardens, as in the events of everyday life, acting In fact, the same type of representation, in which an individual is at the center of an area, which builds and develops as an extension of his private life. Each garden is the place where you can give life to personal interpretation, the taste of chaos, the madness of assembly dictated by emotions, traditions, religions and beliefs. It tends to take the form of territorial possession, where the physical and symbolic signs of appropriation are identified with the provision of plants and flowers, with the choice and placement of objects. These items are made in the original systems, distinguishing domesticated spaces that reveal the hand and the properties of the gardener. "
author
Michela Pasquali, landscape and botany, has designed gardens in Italy and the United States. For several years he devoted himself to the study of spontaneous gardens, created in the abandoned areas in degraded urban environments. He lived four years in New York, where he photographed and studied the community gardens of Loisaida, the subject of this book. His work continues on the web page www.criticalgarden.com (info from the site Bollati Boringhieri) 
Gardens in Manhattan. Stories Guerrilla gardens
Michela Pasquali With this book takes the reader on a unique journey through the many gardens created in the abandoned areas of Loisaida, a small neighborhood of Manhattan, who was born at the end of the nineteenth century to accommodate the large waves of immigrants. book recounts the origins, development, evolution in the course of more than thirty years now. Created at the initiative the local community since the seventies, is one of the most interesting cases of a unique and precious heritage of green space hidden. A set of cultures, languages, religions and customs, which often overlap and are found in the names chosen for each of the gardens: El Sol Brillante, Brisas del Caribe, Miracle Garden, Jardin de la Esperanza, Creative Little Garden. "The process of creation that gave birth to each of these gardens is not an experience in itself and is not, in any case, the subject of trade, is dealt with among the many expressions of everyday life, such as how to dress, speak to cook. In the gardens, as in the events of everyday life, acting In fact, the same type of representation, in which an individual is at the center of an area, which builds and develops as an extension of his private life. Each garden is the place where you can give life to personal interpretation, the taste of chaos, the madness of assembly dictated by emotions, traditions, religions and beliefs. It tends to take the form of territorial possession, where the physical and symbolic signs of appropriation are identified with the provision of plants and flowers, with the choice and placement of objects. These items are made in the original systems, distinguishing domesticated spaces that reveal the hand and the properties of the gardener. "
author
Michela Pasquali, landscape and botany, has designed gardens in Italy and the United States. For several years he devoted himself to the study of spontaneous gardens, created in the abandoned areas in degraded urban environments. He lived four years in New York, where he photographed and studied the community gardens of Loisaida, the subject of this book. His work continues on the web page www.criticalgarden.com (info from the site Bollati Boringhieri)
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