Sylvain Jonathan Noxmail

Shoshanna


This was a year full of movies. For many reasons.
Monicelli first. And his manifesto of dignity, as he called Ida.
work second. Inside the cinema, inside the screen behind the screen. Before the film, with its margins, near the boundary.
Touch the cinema. Wanting to touch it. In the certainty that it can be a "strong", could also be revenge, like the Tarantino of Shoshanna.
bell'incendio Most of the story. Then came

Inception.
I write and I fall off the chair. I do not know where to go to the lower level or the upper one.
"What is the most pest resistant? A bacterium? A virus? An intestinal tapeworm? No, idea. Persistent, contagious. Once that has taken possession of the brain is almost impossible to eradicate it. An idea fully formed, including, clings in here somewhere "
So even the burning of Shoshanna could really have happened, might be running now, somewhere.

The danger is always to get lost. In half the stories in the middle of the image, in the midst of dreams.
are the things I have always had those on this list. More food, more water than air. Each has its air chemically. My vital molecules are made of the drugs there and this makes it more dangerous.
Tina knows. For all the nights that was with me no Weston.
The border is always tenuous, between life and death, between truth and imagination. More than you imagine.

But if one thing is true as fiction, it is true or not?
And really matter if it's true? Import label it so if you do not believe in God?
How fake a Picasso bull than a bull right? So why do I like as much? And why look for it and create it if nature has already created its original?

Fiction exudes beauty because it seeks its truth. O reveals.
I chase the beauty.

And if curiosity is insubordination in its pure form, Lolita becomes the fire of his loins. Otherwise would not have existed and would not give scandal. Lo-li-ta.

Maybe.

Married At A Court House In Jamaica

Fantasia

'Humanity will still be able to fantasy in two thousand?' asked the director Maselli framing it in the camera. And he after an interminable pause of ten seconds:

'I am rather suspicious of this imperative of creativity. I think the first thing we want the basis of accuracy, method, pragmatism, sense of reality. And 'only after a certain strength that can arise prosaic creativity: imagination is like jam, you have to be spread on a solid slice of bread. If not, what remains as a shapeless, like a jam, which you can not build anything '.

( Italo Calvino )

What Should Cm Look Like Two Days Before Period

Item unexpected. Dedicated to PPP

unexpected voice

-unheard-of the poet.


Dumbledore is the life of others. Nothing scratches

daily occupations of the world. Nothing can
to the
Against stupidity and shame
paper on river-weapon-


slumbering minds are not listening.

Pier Paolo
dies and is condemned
The different love and intolerance


who only holds between his fingers

"the feeling of the average life." Better not see


better not hear of the massacres in the Italian

And killed. Better
condemn those who love
And who better to kill the poet writes

Better bury

Shut your eyes and ears in Lido di Ostia



remains silent in me today

Strong and distinguished,
Pier Paolo,
echoes still intact

your strong complaint.

Multiple Sclerosis And Irish Descent

Grazie!

Dear artists, a few lines to say thank you. Meanwhile

for your time, not at all obvious, to attend an exhibition of contemporary art without subsidies or public or private.

Thanks for your courage to expose yourself in this initiative with us, enthusiastic amateurs, the design curator for an exhibition project is certainly not easy, whether the complexity of the issue, both for the difficulties in the use of space at our disposal .

Thanks also to those of you who were able to be present, for helping to fit out the material, that is not obvious, and without which we could never finish in time for the opening of the exhibition.

But above all thanks to the quality of your art projects with which we could realize our / your "translations."

The success of this experience, we can deduce the number of visitors and their demonstrations of appreciation, then we owe it to you and the quality of your work, but also to your effective collaboration to the success of the project.

Again many thanks,

codec (Caramel, Manuela, Massimo)

But also to all those who have helped, and do not materially:

and Gabriel Alberto Del apple, directors of the Tuscan School, who hosted us;

Asli Bicakci for contacts with Turkey and the constant presence;

Francesca Bertocci, for the beautiful mirror; Cristina
From Rio to the "distributor of ideas";

Fabrizio Masini, for "electrical issues"

Louis in May, Simon Judge, Solal Abeles, Cornelius and Cosimo, for the big hand in the "assembly & disassembly" ;

Ewa Dziejuch, Carla Konsten, Maria Jose Moraz, Solal Abeles, Izumi Hashimoto, Melina Kistani, Gerda Helena Schwenger for translations, and even students

and foreign friends who have come with their voices;

Thanks to you too!